Ever
feel like you need a pardon for using Poe?
That it’s time to dismiss Dickinson? This summer I had the privilege of
instructing my first class for the State of Iowa AEA: “Teaching Poetry and the
Common Core.” I originally created this
class because I love poetry. Furthermore, we all know that many language
arts educators fear for the future of poetry instruction in relationship to the
Common Core; the ELA standards certainly emphasize the importance of
“informational texts.” Fortunately, the Iowa Common Core Standards for ELA also
specifically mention and encourage poetry instruction, even offering examples
of “text exemplars” (suggested poems for each grade level). Don’t get rid of Roethke yet. As language arts
instructors, we can and should still promote poetry.
After
examining the Core Standards for Reading, we found that many of them would
provide an obvious and interesting match for poetry. Consider RL 11-12.1: “Cite strong and
thorough textual evidence to support analysis of what the text says explicitly
as well as inferences drawn from the text, including determining where the text
leaves matters uncertain.” This encourages
teachers to ask the questions about poems that lead to meaningful discussions. Along with a Core-friendly discussion of
language and technique, we can easily move onto the emotional or cultural
issues addressed in the poem, and encourage the students to engage on a
personal level. We do not have to compromise
the quality and depth of our poetry discussions. As Petra Lange, language arts
instructor from Roosevelt High School noted, “When analyzing the standards to
determine which could be used in poetry and finding all of them could, it
further solidified my understanding that the core can be used to defend best
practices that are occurring in the classroom already.”
Of
course, no one became an English major in hopes of having to prove how the
teaching of Frost or Soto or Dickinson meets with a set of educational
standards. However, as it turns out, so
many standards can be effectively addressed with the likes of James Weldon
Johnson or Jorie Graham. There is so much to be learned about language and theme
from poetry analysis. One class
participant, Christie Wicks, an English teacher from Valley Southwoods, wrote
this about the value of poetry instruction: “If [it] does not speak to the
power of knowing how to use excellent diction, the nuances of phrasing, succinct writing, and precise tone
of voice, I don’t know what does.” In
addition to this, reading poetry with students should always be a meaningful
experience, mostly because we are sharing art.
Like you, I want to see this genre shared with future students, and
encourage you to continue exploring the beauty of poetry: keep inviting Byron and Angelou back to the
classroom.
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